$40.41
Original: $115.47
-65%Confetti Face Glass Bowl (16cm)—
$115.47
$40.41The Story
The iconic Confetti Face Bowl by Lawn Bowls, a Brisbane-based glassmaker and artist has brought expression to glass to this face bowl. Perfect for a morning yogurt, on a sideboard for trinkets and on display as a piece of art.
- Glass
- Handmade in Australia
- 16D x 2H cm (1cm Depth)
About the Artist
Lawn Bowls is a series of glass art by Finn O'Sullivan. Through her work she examines presentation of everyday objects as art, and the separation of art and craft. Each bowl and spoon is handmade from her Brisbane studio through an exploratory process and each is a unique piece of art. Her BFA was completed at QCA in 2019, majoring in print making. Working with glass came into her practice towards the end of her degree when she was able to find ways to incorporate print making skills with glasswork. These glass techniques were first observed in her Nanna's studio and with expansion off of traditional techniques her practice has become centered in this medium. She is interested in practices of care in the domestic sphere and how decorative objects enrich our experiences of these spaces. The bright imagery, colour and pattern put into her glasswork holds the force of this conceptual questioning.
Description
The iconic Confetti Face Bowl by Lawn Bowls, a Brisbane-based glassmaker and artist has brought expression to glass to this face bowl. Perfect for a morning yogurt, on a sideboard for trinkets and on display as a piece of art.
- Glass
- Handmade in Australia
- 16D x 2H cm (1cm Depth)
About the Artist
Lawn Bowls is a series of glass art by Finn O'Sullivan. Through her work she examines presentation of everyday objects as art, and the separation of art and craft. Each bowl and spoon is handmade from her Brisbane studio through an exploratory process and each is a unique piece of art. Her BFA was completed at QCA in 2019, majoring in print making. Working with glass came into her practice towards the end of her degree when she was able to find ways to incorporate print making skills with glasswork. These glass techniques were first observed in her Nanna's studio and with expansion off of traditional techniques her practice has become centered in this medium. She is interested in practices of care in the domestic sphere and how decorative objects enrich our experiences of these spaces. The bright imagery, colour and pattern put into her glasswork holds the force of this conceptual questioning.
